![]() ![]() ![]() The system was driven by 2 Sentinel10 4-channel amplified loudspeaker controllers. In the main Room 1, 9x LR7 (6.5”+ RBN401 pro-ribbon) were used for left and right, with 3x LR7 as center cluster 2x BQ211 21” subs for low-frequency extension.The man behind the controls was Martin Reeves of MDR Productions.Īlcons Pro Ribbon Loudspeakers were deployed as follows: Some highlights included the live press conferences before the game, and of course the pre-game, halftime, and post game shows.įreeman Audio Visual Solutions, the staging company, and the NFL itself, selected and approved various Alcons Audio Pro Ribbon systems to fill the bill in the vast media center. Media earns their place in the sun through a week-long series of endless speculations will the Broncos stop Cam Newton? Will Peyton Manning return next year? And, of course, there are many live interviews with players, coaches, team executives, and other luminaries. Of course no Super Bowl event would be the Super Bowl if it wasn’t swamped with media from sunup to sundown. The benefit is sonic accuracy, the likes that have not been heard before in large scale sound systems. The result is a sense of clarity, rapid transient response, openness, and naturalness that is impossible to produce with antiquated technology. Instead of pulsating forward and rearward to generate sound, a high frequency Pro Ribbon driver moves perpendicular to the driver’s exit, and is lighter than virtually any compression driver. Pro Ribbon technology, used for high frequencies, varies substantially from the standard compression drivers that have been used for nearly a century. Alcons Audio, best known for their high frequency Pro Ribbon technology, provided the loudspeakers and amplifiers for the large media spaces within the media center in downtown San Francisco. ![]() The most watched event of the year, Super Bowl 50 starts not at kickoff, but about a week prior with a media circus that must be seen to be believed. ![]()
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